Springline Radio Players

Burke and Hare, the most notorious killers in Scotland's history, were arrested in 1829 for the murder of sixteen people. During the trial, William Hare, after being given a promise of immunity, testified against his former "business" partner, James Burke. Amid a great public outcry, Hare escaped the gallows, was released from custody and then disappeared into the mists of history. But what happened to William Hare? Listen to find out his dark secret. Our audio play was written by Alan Kilpatrick, an Irish/Native American playwright who currently lives in Belgium with his wife and their three dogs. He is the author of some thirty plays which have been staged at the Autry National Center, Los Angeles; the Diversionary Theater and the La Jolla Playhouse, San Diego; the VSA Fourth St. Art Center and Adobe Theater, Albuquerque; the Alternative Theatre and the Horse Trader Theater, New York; the Blue Door Theater, Spokane; the Croydon Warehouse Theatre and the Lion and Unicorn Theatre, London, the Troubadour Theatre Company, Brighton, UK ; and the Eclectic Full Contact Theatre, Chicago. He received his professional training in film and television at Loyola Marymount University and studied playwriting at the Royal Court Theatre, London.

Box and Cox is a one act farce by John Maddison Morton and is based on a French one-act vaudeville, Frisette, which had been produced in Paris in 1846. The original play was used by Sir Arthur Sullivan for his comic opera, which he renamed "Cox and Box. Box and Cox was first produced at the Lyceum Theatre, London, on 1 November 1847, billed as a "romance of real life." The play became popular and was revived frequently through the end of the nineteenth century, with occasional productions in the twentieth century.  Our adaption was written by Neville Teller and first broadcast across the USA in October 2015 in a production by Shoestring Radio Theatre, San Francisco.

A gentleman musician, and a plum of a lady medium combine forces in a 1930’s post luncheon séance to reveal the whereabouts of The Lost Lamp of Lorratata. Where is Lorratata? Why do they need to find the lamp with such urgency? What exactly does the Vicar want and will there be ghastly or ghostly consequences? All will be revealed over the next 40 minutes.

In the morning  room of “The Manor House” Gwendoline and Cecily are gazing attentively out into the garden anticipating the imminent arrival of Jack and Algernon from the garden.

In the garden of “The Manor House”, Jack Worthing’s country estate Cecily, Jack’s ward is studying with her governess Miss Prism before the unexpected arrival of Algernon Moncrief.

The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Algernon Moncrief is playing the piano in the drawing room of his flat in Half Moon Street, Mayfair awaiting the arrival of his formidable aunt Lady Bracknell accompanied by his cousin Gwendolen, and in walks his best friend Jack Worthing.

Back in London Mr. Pickwick pays Dodson and Fogg, sends Jingle and his servant to the West Indies to begin afresh, and learns that Emily Wardle is planning to elope with Snodgrass. Mr. Pickwick convinces Mr. Wardle that Snodgrass is a worthy gentleman, and the couple are married in Mr. Pickwick's newly purchased home. In the meantime Sam Weller has been courting a pretty housemaid named Mary, and under Mr. Pickwick's auspices they are married.

The 23rd of April is not only the birthday of the bard with some historical records also suggesting the date of his death, it is one year and one month since the commencement of our first pandemic lockdown. During this year and one month we have all experienced a roller coaster of emotion.  Unprecedented at least within the life experiences of much of our present generation.  Yet at its most fundamental level the human condition and its reaction to the trials and tribulations to which it is subjected remains unchanged throughout the centuries. The raw emotions felt by Shakespeare and his cast of characters were no different to those expressed by us all in our collective 21st Century battle with our viral enemy.